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■ 2026
What remains when subjectivity fails?
A hybrid video installation and performance exploring the collapse of identity through fragmented voice, body, and image. Shaped by conditions of digital saturation and unstable subjectivity, the work examines how identity is constructed and destabilized.
■ 2023
Can a space transform the way we connect?
A transmedial performance and interactive installation exploring identity, social interaction, and human connection in the digital era.
Set in Robert Schumann Hochschule’s concert hall, the work turns a classical venue into an experimental ground where sound, light, and technology create a collective sensory experience.
The performance unfolds in three stages - Interaction, Revelation, and Mutation - tracing a gradual evolution of connection and social transformation.
II. Revelation
A live audiovisual performance where musicians interact with a critical film exploring the paradoxes of contemporary life. Sound and image continuously reshape one another, creating a tension between connection and alienation, reality and perception.
III. Mutation
An improvisation-based performance connecting classical, jazz, electronic musicians, and multimedia artists. Through real-time dialogue, the work forms a fluid network of communication, transforming individual practices into a shared, immersive experience.
■ 2024
How can sound guide presence and reflection in a shared space?
An immersive solo performance for synthesizers and electronics, exploring the four boundless states. Performed outdoors at Niansa Festival (Ljubljana, 2024), the work merges electronic sound with the wild natural environment, creating a contemplative space where textures continuously transform, merge, and unfold.
■ 2024
Transience is an experimental work for piano, electric guitar, and live electronics, exploring the interplay of approaching and distancing. Acoustic instruments are digitally processed in real time, guiding the sound into unpredictable, continuously transforming textures.
Developed during a residency at Abeceda Institute (Amsterdam) in collaboration with Leon Eckard and performed at Acud Macht Neu (Berlin), the piece merges technology, presence, and sonic material into a dynamic, immersive experience.
■ 2025
Selected as an artist for the regional project Soundscapes of the Western Balkans, this work is a documentary exploring Montenegrin tradition and female identity. Set in a neon-pink house in the historic Stara Varoš neighborhood of Podgorica, it reflects on the tension between inherited patriarchal norms and the possibility for personal and cultural transformation.
■ 2023
Original score for the short drama A Tin of White (2023), exploring unresolved emotions between mother and son as decluttering a room becomes a shared challenge. The music blends delicate textures with emotional resonance, supporting the narrative’s tension and intimacy. The film was selected for international festivals including the 37th Foyle Film Festival (qualifying for BAFTA and Oscar short film awards) and the Green Montenegro International Film Fest, among 20+ other screenings worldwide.
■ 2024
How does a city’s rhythm shape the mind and senses?
An intimate audiovisual journey developed during an artist residency in 2024, drawing inspiration from the rhythms, diversity, and quiet sparks of life in Hanoi. Original music and layered visuals transform perception, inviting the audience to experience presence, reflection, and the subtle interplay between sound, image, and consciousness.
■ 2045
■ 2023
How far should a child have to walk for education?
A documentary addressing access to education in rural Montenegro, following children who walk up to 15 kilometers daily to reach school. Featuring an original score by MARIEK, the project directly contributed to a humanitarian campaign that successfully secured transportation for the students, demonstrating the power of art to generate real social change and collective action.
■ 2021
A collaborative experimental work developed during the OneBeat Virtual Fellowship created with: Ju Strassacapa (voice), Royce “Sauce” Handy (MC, cajón, beatbox), Marija Mitrović (piano, vocals), Kiran Nepali (sarangi), Paulo Sartori (acoustic guitar, electric bass, percussion, backing vocals), Ivana Bandalo Benzon (clarinet).
The piece explores collective creation through layered vocal, instrumental, and rhythmic structures, forming a shared sonic space shaped by intercultural dialogue and experimentation.
The piece explores collective creation through layered vocal, instrumental, and rhythmic structures, forming a shared sonic space shaped by intercultural dialogue and experimentation.
■ 2023
Presented at Visiting Artists from Montenegro: Cultivated Wilderness in Subotica, Serbia, the work explores identity through intuitive, sensory processes and layered sound. The performance situates audiovisual practice as a space of transformation, merging personal, collective, and cultural narratives.
Working with electronic synthesis, piano, modular systems, and traditional instruments, she constructs evolving sonic landscapes shaped by intuition, instability, and transformation. Her performances move between ambient electronics, experimental composition, and Balkan-rooted textures, guiding audiences into states of heightened perception and presence.
Mitrović holds a Master’s degree in contemporary piano, with studies in Montenegro, Düsseldorf, and Ljubljana, focusing on spectral music and expanded approaches to piano sound. Her interdisciplinary practice spans performance, composition, film, and theater.
She has presented her work internationally across Europe and participated in platforms such as the Ljubljana Jazz Festival and enCORE (Berlin). In 2021, she was selected as Montenegro’s first representative for the OneBeat residency.
Her recent work explores the social potential of sound and transmediality, developing ritual-like performances that merge acoustic and electronic elements. Alongside her artistic practice, she works as a composer for theater and film, and as an educator.